“Pulsar” explores the phenomenon of beats and resonances within a complex sound system, where individual pulses interact with each other and gradually form a unified evolving structure. The composition was created using only four synthesizers and a range of digital processing techniques, including delay, granular synthesis, bit-depth reduction, and other forms of sound manipulation. Particular attention is given to the interaction between timbre and spatial movement, allowing the sound material to be perceived as a constantly transforming and breathing environment.


