This project is an audio programming based sound performance that samples and reconfigures a poetic dialogue co-written with a Virginia Woolf AI. It begins with a scripted exchange between Cyborg Bridget and Bridget, forming the foundation for a collaboration with LSTM Woolf, a machine learning model trained on the corpus of Virginia Woolf. After the[…]

See Project

Re[SID]uals focuses on the brief encounter between sound and interface; it foregrounds the mark of contact rather than a polished surface. Listening shifts from long shot to close-up; seams behind the melody, muted hums, and delayed shards of echo tilt the axis of the narrative. The cut in the title bends the direction of hearing[…]

See Project

To create a musical composition in which the organization of the synthesized sound material and the structure of the work would be based on an algorithm created by me, based on a code obtained from the texts of two literary sources – the original text "Sonnet No. 100" by W. Shakespeare and his translation by[…]

See Project

A female voice drifts in, airy and intimate, almost like a whisper carried through reverb. Beneath it, the bass pulses steadily, deep and warm, setting a heartbeat-like foundation. The rhythm builds in subtle layers—sharp hi-hats flicker at the edges, while synth chords swell and retreat like waves.When the break arrives, the beat dissolves into a[…]

See Project

The work is contrasting aural places of intimacy and enclosure with expansive spaces and propagates through their interaction. The title is borrowed from a painting by René Magritte, depicting two coffins seated in a mountainous landscape. The source materials for the work have been recorded with an 18 channel microphones arrange in a globe shape,[…]

See Project

The WIND knows no BORDERS, it cannot BE STOPPED. PEACE WIND is born from the sound of a WIND, the same WIND that caressed my face as a child, when my SOUL was still INNOCENT, when my SOUL didn’t yet know to BE. I entrusted MUSIC and IMAGE with the task of making the WIND[…]

See Project

Composed for Nako Baev’s interactive experience The Homecoming Exhibition, this ambient piece aims for a quiet, majestic mood – about returning home and settling into inner calm. Built from crisp, layered synths and slow-moving harmonies, it unfolds gently, inviting the listener to breathe and sink in. The arrangement stays spacious and immersive, using restraint and[…]

See Project

Created in collaboration with visual artist Nako Baev, "iamthefuture." is an experimental soundtrack that mirrors the project’s forward-looking vision. Taking cues from Ryoji Ikeda’s minimalism and Gesaffelstein’s intensity, the piece evolves through distinct sections, balancing restraint and power. You’ll hear small textural details, steady pulses, and controlled low-end motifs that grow and change over time.[…]

See Project

Drifting Voices is a 3D electroacoustic composition exploring the deep connection between the human body and the ocean. Life’s origins in the sea have left us with profound chemical affinities to the marine environment. This work reflects that connection by processing human voices and ocean sounds in almost chemical ways—analysing them into microscopic sonic particles[…]

See Project

FOMO is an AI-aided acousmatic composition inspired by the experience of “Fear of Missing Out (FOMO).” FOMO is a psychological phenomenon describing the anxiety or unease one feels when believing others are having rewarding experiences they are missing out on. This phenomenon has become increasingly prevalent in the age of social media and digital communication.[…]

See Project

I am never quite sure what to think when listeners describe my music using the term ‘filmic’. Are they referring to a certain sense of space that is, perhaps, similar in both electroacoustic music and film..? Or perhaps it is a sense of dramaturgy or narrative that they find similar..? I am not sure. But[…]

See Project

This piece takes inspiration from the Fibonacci sequence, a pattern found in nature, to shape its harmonies, frequencies, and rhythms. The music is organized through these mathematical proportions, creating a balance between structure and expression. The compositional plan was developed with OpenMusic, while the performance unfolds through Max/MSP, which processes the live sound of the[…]

See Project